Magic is a great way to relax, and become more comfortable with your surroundings. It can help you explore how social you really are, and impress everyone you meet. You can even use magic to meet your soul mate or to make some friends. Whatever your situation is, magic is for entertainment. Many of you expect to pay hefty prices for quality entertainment, but what if I told you that you don’t have to pay unreasonable amounts for these awesome magic anymore?

Maybe you are looking for awesome magic tricks that puzzle, and astonish your audience. This is one of the largest magic databases on the internet giving you access to information on how to make your own gimmicks and not pay a fortune for the gimmick and not knowing how sturdy the gimmick is. Street Magic, Card Tricks, Beginners Magic, Professional tricks and stage magic; whatever you may be find out is right here at the tips of your fingers.

Set yourself up with everything you need for a performance of a lifetime. Impress those around you. Find information on angles and preparations to help your magic go over smoothly and without hassle. Some of your spectators will act differently than others. There are people out there who believe that you are not using illusion and that you are using real magic in order to make a trick work.

Magic shows and magicians help people who do not believe in magic to expand their imagination a little more. Many people in the world today could use a lift and reminder that things are not always what they seem. Magic is a great way to get people think like children again and give them the imaginations they once had where they can believe anything is possible for just a second longer.

Magic Freeze

Just tell the kids to be prepared for a magic party game and tell them the rules. Play a song with good beats and ask them to dance and wave their magic wands. Then suddenly stop the music and the kids who will be waving their wands after the stop command will be eliminated. This process will go on until the last kid standing, who will be the winner of the game. Just to make things really exciting, tell them about the different prizes in a closed bag and ask them to grab their prize in five seconds. This magic party game will just rush adrenaline through all the kids.

Do As The Wizard Sez

This game is very much similar to Simon Sez, but instead of saying Simon Sez, you are going to say Wizard Sez, which the kids would love as magic party games. Get all the kids in one line and say Wizard Sez “Turn Around”, the children will “Turn Around” and then say “Turn Around” and if any of the kids turn around, they will be eliminated from the game. Some of the other commands that you can give are “Raise Your Arm” “Look Up” and any other commands that you can come up with. Just continue giving the commands like that and the kids will be eliminated till one kid survives the game, who will be the champion of Do As The Wizard Sez of the year.

The magic party games must be really creative so that every kid who is a part of this event just have some real time fun.

Here’s how it will seem to your amazed audience. You ask somebody from the audience to shuffle the cards, and check to make sure it’s not a marked deck or anything. You then take the deck, shuffle it once more for good measure, and then hand them back the deck.

After they are holding the deck, you tell them to separate the deck into four equal stacks. They don’t have to be exactly equal, only approximate. Then you stun the audience by staring directly through the top card to the other side, reading the name and value of the card. You will be able to easily do this many times and never come close to being discovered.

Here’s the trick. As you shuffle the deck one last time, take a quick glance at the bottom card, and secretly place it on top of the deck. This may take a wee bit of practice, but after you do it a few times at home, you’ll be a natural in front of others.

Once you know which card is on top, you’re ready to proceed. Watch them as they cut the deck into four stacks, and remember which one has the card you just peeked at. Let’s call it card one to make it easy. Pick any stack that doesn’t contain “card one,” but you actually say “card one.” Then pick it up, and set it face down in front of the stack. Remember this card now as card two. You’ll need to have somebody remember all four cards, so you can reveal them all at once. On the next pile of cards, you say “card two,” and look at the next card, which in reality is card three. The trick is to stay one step ahead of yourself.

After you’ve finally come to the stack that has “card one” on top, you’ll actually be saying “card four.” Then with all four cards laid face down, you have the audience member who was recording the cards call them out again. After they do this, you quickly flip all the cards over, showing them your accurate readings. This takes a little of memory, so it can help to practice with your friends before doing it in front of strangers. Have fun.

Of course, the deliberate decision to add an effect of a definite nature is not the usualway the average magician adds to his routine or repertoire. The usual trick is added by the run-of-the-mill magical enthusiast simply because something in the number appeals to him. It might be the appearance of the apparatus. Or the apparent profundity of the method, the deceptive feature. Or the comedy potentialities. Or any of a number of other factors. I’m convinced this is not the correct way to add program material. It seems far better to me to add material from the viewpoint of its importance in adding entertainment value to the performer’s routine.

However, should a magician decide to add a production or appearance number to his program, usually through search he finds some type of trick that supplies the desired general effect. The specific trick selected usually determines the object with which the effect is accomplished. Then, the object to be used established, if he desires to tie it into a unified routine, he shapes and warps and changes matters until he meets his requirements as nearly as possible.

The somewhat more exacting magician will usually adopt the second method. Here, he will decide to add some type of production or mysterious appearance. Before embarking upon his search, he will determine the object or objects with which he wishes to accomplish the effect. Then, as before, he will make the search. But this investigation is not so general. Specifically, he knows what he wants to cause to appear. His hunt is limited to tricks in which the desired object is used. If he fails in his search, or if the tricks he finds do not seem satisfactory to him, usually he will decide upon a second object to take the place of the first choice